New Wave for the New Week #86

Put The Specials, R.E.M. and Oingo Boingo in a sonic blender, and the result you get might not be all that different from the sextet known as The Pressure Boys.

Energetically bursting out of Chapel Hill, NC, in the early 1980s, The Pressure Boys began life as a band of high school classmates who fumbled their way through covers of Madness and Specials songs at parties in and around Chapel Hill.  As their musicianship improved, they began widening their scope of musical influences.  Bringing aspects of bands like XTC and the aforementioned Oingo Boingo into the mix, The Pressure Boys soon created a unique sound that was slightly off-kilter, but nonetheless peppy and enjoyable.

They soon came to the attention of the noted southern-alternative-music production team of Mitch Easter and Don Dixon, who produced their first release, Jump! Jump! Jump!, in 1983.  The record's lead cut, "Tina Goes To The Supermarket," encapsulated everything that made the band so popular at home: the somewhat syncopated take on the basic ska beat, the frenetic pace, the audible fun the band was having.  That sonic recipe, given the Easter/Dixon stamp of approval, helped The Pressure Boys break out of the local Chapel Hill scene and land on college radio playlists everywhere.

The following year saw the release of the four-song Rangledoon ep, which included their most ambitious outing to date, "Where The Cowboys Went." Turning the ska down a notch and upping the southern charm, "Cowboys" was clearly a stab at college radio stardom.  Sounding a bit like Green On Red's goofier siblings, "Cowboys" is an excellent song that caught the ear of a major label: Epic Records included the cut on their 1985 compilation Epic Presents: The Unsigned, a collection of (as the title describes) bands that had not yet signed with a major label.

Unfortunately, Epic passed on signing the band, and it was back to the drawing board. 1987 saw the release of Krandlebanum Monumentus, the band's most polished vinyl release. Boasting a sparkling new re-recording of "Tina Goes To The Supermarket," and promoted by a video clip for "Around The World" that got the band introduced to the MTV's 120 Minutes crowd, the record is highly recommended. 

That would turn out to be the last anyone heard of The Pressure Boys until a retrospective CD, The Incomplete Recordings: 1981-1988, appeared in 2008 in conjunction with the band reuniting for a couple of live shows to benefit research for a cure for cystic fibrosis. Containing all of the band's essential material from "Where The Cowboys Went" to "Around The World" (including the re-recording of "Tina Goes To The Supermarket"), it's an excellent starting point for those new to the band.  The CD, like all of The Pressure Boys' releases, has fallen out of print, but can be had as an mp3 download from Amazon.com.

Here are two clips for this week's NW4NW entry: first up, the very DIY video for "Where The Cowboys Went;" following that is the band performing a live rendition of "Tina Goes To The Supermarket." Enjoy!

New Wave for the New Week #48

There came a point, about the middle of 1983, when the standard in music videos changed from the early shoestring-budget chromakey clips of bands singing their songs amid various cheap-o video effects to high-minded "concept clips" that told a story. What was once a three-minute promo clip for a song became twice as long, with some sort of scene played out using the band as actors before getting around to the song itself.

Usually, only the big-name major-labels had the budgets to create these mini-movies, but in early 1984 a little-known indie label out of North Carolina, Dolphin Records, created one for their band-of-the-moment in hopes of gaining a slot in MTV's airplay rotation and the national exposure that came with it.

Although the clip was timely (a take on the Indiana Jones saga so popular at the time) and well done, and although the song was fantastic and the band local cult heroes in Durham, NC, "Change Gotta Come" by The X-Teens never received the airplay that was hoped for.

Kitty Moses (vocals and bass), Robert Bittle (guitar), Ned Robie (drums), and Todd Jones (keyboards) formed The X-Teens in 1980 and immediately released their first of three excellent records, ...big boy's dream. Mixing ideas and sounds gleaned from Elvis Costello, Pylon, and The B-52's into a twitchy, poppy blast, The X-Teens found an eager audience in the early '80s North Carolina New Wave scene.

Two more albums would follow: X-Teens in 1983 and Love and Politics in 1984; but the band was getting frustrated that their regional success was not translating into a wider fan-base. When "Change Gotta Come" failed to break them big, the band split up.

The X-Teens remain well-known in their home state, and are often pointed to as forerunners of what would become known as "The Chapel Hill Sound" of the mid-to-late '80s as defined by NC bands like Let's Active, The Connells, and The dB's. Indeed, all three of The X-Teens records were produced by Mitch Easter and Don Dixon, whose trademark sound practically defined that subgenre. All three records are well worth your efforts in finding, but for now, here's our first NW4NW entry for 2010 (and a fitting title as we enter a brand new year with hopes of better days than 2009 left behind!), "Change Gotta Come" by The X-Teens. Enjoy!