A strange concoction in many ways when you think about it. It's a light, airy kind of ear candy that threatens to evaporate into the ether upon first listen. Yet, it demands repeated listenings, and seems to get better, grow stronger, with every revolution of of the turntable. The dual rhythms both compete with and complement one another, and the whole sound sinks into your brain and makes a home there.
The album opens with a stunning one-two punch: "Dog Eat Dog" and "Antmusic" are simply classics of the New Wave era and probably the strongest tracks on the album, but to let them overshadow the rest is to miss out on some truly outstanding songs. "Press Darlings," "Feed Me To The Lions" and "Los Rancheros" each are catchy, hook-filled confections that could have been hit singles themselves. But all is not just bouncy fun here in Antland: "Ants Invasion" strikes an eerie sci-fi pose, "Killer In The Home" ups the creepy factor, and "Physical (You're So)" is much darker here than even Trent Reznor could make it when he covered it years later.
It was with the first single after Kings Of The Wild Frontier that Adam & The Ants hit their absolute pinnacle, but "Stand And Deliver" would have to wait until Prince Charming to appear on an album, and by then The Ants were starting to lose steam.
Kings Of The Wild Frontier belongs on anyone's short list of defining New Wave albums and still sees fairly regular airplay around these parts.