I just looked at my calendar this morning and realized that we're almost halfway through March already! Jeez, where does the time go? It's been awhile since the last round-up of good music you ought to be listening to. Figured it's time to catch you up with what's been blaring from the speakers around Ruttville lately.
It's a big wide Internet out there, and it's full of tunes. Some are
good, some are bad; some you can acquire legitimately, some...well, not
so much. It's enough to make your head spin! Friend, I'm here to help.
I've done the hard part - I've separated the wheat from the chaff and
come up with a list of 10 excellent musical curios for your musical
curio shelf...er, iPod. These aural treats are not presented in any
particular order, and I am receiving no compensation of any kind from
the artists, other than the sheer enjoyment of listening to their
creations. Almost all of these are very recent, but some are not. That's just the way it is. Let's dig in!
Grumpy Old Punks
Punk's not dead; it's just old and grumpy. Also, wickedly funny when served up by LouB, KRoy, Brian, and Guzda, collectively the Grumpy Old Punks. A grand old party perhaps (with the emphasis on old!), but this GOP seriously rocks. They don't take the easy Weird Al-style parody route; their songs are original and quite solid on their own merits. These would be killer tracks even if they weren't snarling about their adjustable rate mortgages or wondering where their glasses are. Two EP's are available, 2011's self-titled debut and last year's Anarchy in the Prostate. And you must head to their website to catch their as yet unreleased cover of Lady Gaga's "Bad Romance." Yes, you read that right. Now get the hell off my lawn!
I am utterly embarrassed to admit that I completely missed these guys in 1999 when their simply astounding Leave Stockholm album was issued, but I am definitely playing catch-up now! The so-obvious-it's-oblivious crossbreeding of ABBA and The Ramones works more often than it flops, although the points at which it doesn't quite gel can be enormously disappointing (hopes were so much higher for their take on "S.O.S." than the results produced.) Still when Bjöey and Anneky harmonize on "Waterloo," you wonder why no one else ever thought of this. Genius!
The machines have taken over, and as it turns out, they just wanna rock. Stickboy, Fingers, and Bones form "the world's heaviest metal band," the all-robotic Compressorhead. Whipping through head-thunking covers of AC/DC, Motorhead, and The Ramones, these precision machines are programmed to rock and roll all night and party every day. Listen up, meatbags!
Regular readers of this li'l ol' blog are likely quite familiar with both halves of this husband-and-wife duo who have released their first official collaboration this year (what took them so long?!?). If you don't know Jules Shear or Pal Shazar, get thee to Google! Get yerself some Polar Bears and Slow Children records and get yerself schooled, kiddo! Or, better yet, join me in bopping along to some incredibly literate, deeply touching music that manages to be yearning without being unhappy, and manages to be crunchily hippie-ish without reeking of patchouli and weed. It's folksy, folk-y, and funky, just like the artists who created it. Outstanding!
I discovered the music of the enigmatic and fascinating Scott Walker by happening across the excellent documentary 30 Century Man (find it and watch it!). Walker's story is compelling: he achieved and utterly rejected pop stardom in the early '60s UK, became a troubadour in the tradition of Jacques Brel, cultivated a rather purposeful obscurity, and began creating recordings of highly experimental and personal musical expression. His stunning and unmistakeable baritone may be the only continuity in his career's twisting, turning journey, but his works have inspired and influenced many: Brian Eno, David Bowie, Gavin Friday, and Marc Almond, among others, all show up to praise him in the film. Walker has a new album out, his first in six years, Bish Bosch. The first single from it, "Epizootics!," is jaw-droppingly good:
In the 1990s, Palmyra Delran headed up all-girl punk band The Friggs. These days, she's a solo act; a girl with a guitar and an attitude and, as of last week, a brand new album, You Are What You Absorb. The first single from it, "Shut Out," has been being played often and loudly around here lately. Delran bears more than just a passing sonic and vocal resemblance to the late Paula Pierce of The Pandoras, so you know exactly what you're in for. Delran delivers on this cut; can't wait to hear the rest of the LP!
The Electric Mess
With a psychedelic paisley-punk farfisa snarl that brings to mind a chance meeting of The Fuzztones and The Three O'Clock on board a yellow submarine, The Electric Mess burst out of NYC a few years back with the in all ways wonderful "You've Become A Witch." This year, they've damn near topped it with the single "The Girl With The Exploding Dress," from their sophomore album Falling Off The Face Of The Earth. Awesomely good stuff, sez me!
Orchestral Manoeuvres In The Dark
Also on the list of bands with new albums out - or, in this case, soon to be out - is this pleasant surprise: OMD! Always one of my favorites back in the day, OMD's brand of synthpop was a bit more erudite and sophisticated to my ear than the run-of-the-mill stuff of the early '80s. Songs like "Electricity," "Joan Of Arc," "Souvenir," and "Telegraph" were constantly on my high-school-era playlist, and even when they moved into the more commercial sound of "Tesla Girls," "If You Leave," and "So In Love," they were always a class act. And now they're back! Andy McCluskey and Paul Humphries, just like the old days! (Yes, yes, I know, the comeback album was actually three years ago when History Of Modern was released. Jeez, do you hafta spoil all my fun?!?) The first sounds from the forthcoming album, English Electric, could have been happily ensconced in the grooves of 1983's majestic Dazzle Ships, which is a good thing - a damn good thing! Behold:
Freezepop's The Other Sean T. Drinkwater's other band, Lifestyle, has a couple of new releases out via Bandpage.com. At the end of last year the synthpoppers issued a crisp new seven-song set, Artificial, and in January they gave a properly restored and remastered reissue release to 2005's Adventure. Both are excellent, and will carry you back to 1985 on the backs of glistening synth washes and memories of Simple Minds, Spandau Ballet, and later-era Roxy Music. But, as with Drinkwater's other other band, Lifestyle isn't a nostalgia act. Their work is solid and enjoyable pop music - and that's not a crime, right?
If you don't find yourself smiling and tapping your feet along with The Popdogs' debut Cool Cats For Pop Dogs, you probably want to have your fun meter readjusted. If there isn't already a genre called Sunshine Power Pop, there needs to be, and The Popdogs need to be filed under it. They jangle like R.E.M. but wear much brighter colors; their songs are catchy and hummable bits of ephemeral ear candy that seem to evaporate upon arrival yet leave joyful echoes bouncing around your head. Check out the lead track, "Honest Guy," for proof: