Combining hook-laden high-energy jangling guitar pop with a Punk Rock sneer and a boatload of irresistibly catchy choruses, The Buzzcocks appeared on the scene in the wake of The Sex Pistols' initial assault on UK eardrums in 1976. The band was originally the creation of schoolmates Howard Devoto and Pete Shelley who, with bassist Steve Diggle and drummer John Maher, issued the 4-song 7-inch Spiral Scratch EP that year on their own New Hormones label, making them among the earliest of the Punk crowd to take the independent release route.
Spiral Scratch's songs are sharp, abrasive, angular blurts that only begin to display what The Buzzcock's sound would evolve into; the highlight here is the leadoff track, "Boredom," which is everything a Punk Rock song should be: short, minimalist, snarky and intelligent ("Now I'm living in this ennui/But it doesn't suit me..."). The Devoto/Shelley pairing would not last long. Devoto was more interested in exploring electronic music, and shortly after this debut he left the band to form Magazine.
Pete Shelley took over the lead vocal duties, Steve Diggle moved from bass to guitar, and Steve Garvey joined on bass, and in short order the classic Buzzcocks lineup was in place. Over the next three years The Buzzcocks would deliver three outstanding albums and a dozen or more ace singles for their new label, United Artists. They differed from their contemporaries in Shelley's adenoidal yet melodic vocals and the use of Beatles-inspired harmonies. Where the Punk crowd was going on about political and social injustices, The Buzzcocks were singing about paranoia, alienation and unrequited love - and scoring hit after hit in the UK while doing so.
Their first United Artists single, 1977's "Orgasm Addict," brought about controversy given its rather frank approach to its subject matter, but also sold very well despite just missing the UK Top 40. The follow-up, "What Do I Get?," did make the Top 40, and The Buzzcocks were off on a great run. All three of their United Artists LPs (Another Music In A Different Kitchen, Love Bites, and A Different Kind Of Tension) have aged remarkably well and are strewn with classics like "Ever Fallen In Love (With Someone You Should'nt've?)," "Sixteen Again," "Fast Cars," "You Say You Don't Love Me," and so on; the band also scored with a handful of non-album singles including "Love You More," "Everybody's Happy Nowadays," and "Harmony In My Head." In 1979, UA helpfully compiled all of the A and B sides of their singles into one album, Singles Going Steady. Essential.
As the 1980's kicked off, The Buzzcocks began slowing down. The delivered three more singles, which were later compiled into a 12-inch EP, but Shelley soon left to pursue a solo career, Diggle and Maher moved on to form Flag Of Convenience, and The Buzzcocks were apparently done. A decade later, there was enough interest in the band to reissue everything except for the original four Spiral Scratch tracks in a boxed set called Product. Sales were surprisingly strong, and Shelley and Diggle started toying with the idea of a reunion.
By 1993, a regrouped Buzzcocks had their first new recorded material in more than ten years. Trade Test Transmissions kicked off a run of five more albums, including All Set, Modern, Buzzcocks, and Flat-Pack Philosophy, which all showed the band hadn't lost a step despite the lengthy layoff. Songs like the incredible "Soul On A Rock" (from Modern) can be proudly filed alongside The Buzzcock's classic material.
For this return to NW4NW, I am happy to present two of The Buzzcock's best from their classic era, "What Do I Get?" and the utterly wonderful "I Don't Mind," as well as the more recent vintage "Soul On A Rock." Enjoy!
Monday, July 8, 2013
Sunday, July 7, 2013
Six Word Sunday
It’s all coming back around again…
Labels:
Blog,
Six Word Sunday,
Truth
Sunday, June 30, 2013
Celebrating the Birth of a Nix-Nootz
Though not as immediately apparent from his appearance as Edison, Amadeus is also part Siamese, on his mother's side. As he has grown, the most telling feature giving that away is his apple-shaped head. It was never fully clear what breed his father brought to the mix. There's some tiger tabby in there for sure, but it would not surprise me to learn that there is more than a little feral cat in Amadeus' heritage. From nearly day one, he has been the wilder of the two. Where Edison seems to carefully plan out his activities throughout the day and remains mostly calm and aloof, Amadeus tears willy-nilly around the house climbing shelves, knocking things over, occasionally misjudging jumps. You can almost watch him get an idea in his head to do something and immediately race off to do it, without benefit of the filter Edison employs to at least briefly consider the ramifications of his actions.
Amadeus is the one of the pair who has actually drawn blood from me - twice! Neither time was on purpose; in both cases he was flying around the house at top speed. The first time, he was chasing his brother around. I was sitting on the couch watching TV, and suddenly they were both charging directly towards me. Edison made a last-minute course correction and dashed under the coffee table, but Amadeus couldn't stop himself. Instead, he used my arm as a runaway truck ramp, and, in his attempt to slow down, gave me a nice little scratch to remember the occasion. The other time, he was sitting on my lap when my brother came by the house to visit. My brother's arrival on the porch just outside the window by the sofa startled Amadeus, who tried to take off running just as I was trying to pick him up and set him on the floor. One of his back claws caught my lower lip, and a mildly gory scene resulted.He climbs to the highest perches he can find, and then hollers because he cannot figure out how to get back down. He starts fights with his brother and finds himself pinned to the ground and on the receiving end of warning nip or two. He's a bit of a thief, known to jump up on the table and snatch a paper towel or napkin and take off running with it, only for me to find it later shredded into confetti in the upstairs hall. He makes people laugh out loud with his antics.
Amadeus and Edison have grown into two cats with very distinct personalities, but I am so glad to have them both in my world. As I've mentioned before, I know the positive effect they have had on my life; friends and family have also commented that I seem much happier having them around. And now they have each passed the 365-day mark.
Happy Birthday, little Nix-Nootz. Here's to celebrating many more of them for both you and your brother!
Sunday, June 9, 2013
Saturday, June 8, 2013
Instant Karma: My Good Deed of the Day
Every now and then an opportunity will present itself wherein you have the choice of two courses of action. How you choose to respond to these little "tests" that the Universe throws at you are, perhaps, the most honest appraisal of your character, especially when it is obvious that no one but you would ever have to know whether or not you passed the test. Well...no one but you and your conscience. Also, I do believe the Universe keeps score.
This morning was the first Saturday in a long while that I decided to get up early and head downtown to Lancaster Central Market, the country's oldest continuously operating farmers market and a place used to frequent quite regularly on weekends. There is a Thai stand there that serves up the most amazingly delicious fresh veggie spring rolls; S. Clyde Weaver's deli stand is the perfect place to stock up on sandwich fixin's for the week; there's always something delicious being offered at The Goodie Shop. More fresh produce and fresh baked goods than you can shake a stick at overflow aisle after aisle of locally owned stands, and I am a big proponent of the buy fresh/buy local concept. Market is also something of a community gathering place where friends meet for coffee or where you've got a better than even chance of running into someone you know and getting lost in conversation for awhile. There's a reason it has lasted for over two centuries. If you're ever in Lancaster, PA, you need to make it a stop on your itinerary!As I said, it had been awhile since I had been at market. Having been un-/under-employed for a stretch meant that some expenses had to be cut out. Now that I'm getting back on my feet, I am happy to be able to add regular Market stops back to my routine.
Despite its heritage, Market makes some concessions to the modern world around it, among them the ATM machine in the southeast corner of the building. It was there that I was tested this morning. I needed some cash for shopping and to boost my pocket money for the week, so I decided to take $40 out of my account. Annoyingly, the machine had a notice on it indicating it was out of receipt paper, and so would not be able to provide a receipt for the transaction, but I needed the money. I swiped my card and punched in my $40 request, and after a moment of churning the machine instructed me to retrieve my cash. To my surprise I found four $20 bills.
My first thought was that the machine had made mistake and taken twice the amount I wanted from my account. Without a receipt, though, I had no way to see what the ATM thought I had asked for. I replayed the screens I had just walked through in my head: "Did I hit $80 by mistake?" No, I was certain I only asked for $40. Then it occurred to me that this ATM is different from most in that the cash dispenser is not just an open slot where the cash is slid out to you, but rather requires you to open a plastic door. What if someone had tried to get money out before me and, not knowing to open the door, figured the transaction hadn't gone through - and wouldn't know until he checked his statement that he was out forty bucks?Either way, something was amiss. I walked over to the nearest stand and explained the situation to the standholder, who offered to call the Market Manager over for me to talk with. I shared the story with her, as well as my thought that either I had be double-hit or the money belonged to someone else. After apologizing for not being more alert to refilling the machine's receipt paper, she offered to bring me back to her office to use her computer to check my bank balance online and see how much was actually taken from my account. If it turned out that my balance was correct, then she would hold onto the money for a period of time to see if anyone claimed it. If not, either I could keep it or donate it to charity.
I had just about logged onto my account when another gentleman knocked on the Manager's office door. He explained that he had tried to take $40 out of the ATM but didn't get his cash, and then had gone to another ATM elsewhere in town. When he took out his $40 there, his receipt showed his balance down $80. As he told his story, I verified that my balance was correct; clearly the other $40 was his. He was very happy to get it back, and thanked me profusely before going on his way. The Market Manager also thanked me, and added, "You've got some good Karma coming your way!"
I walked out of Market feeling pretty damn good. One person I shared the story with said, "They should have given you some type of reward." No, no they shouldn't have. First of all, no one should ever have to be rewarded for doing the right thing, and I believe in this case I did the right thing. Second, I'd like to think that if I were the one missing the $40, someone would do exactly the same for me. I've been at points in my life where a missing $40 would be a financial calamity; how do I know that wasn't the case for this person?
I'm not going to lie; there was a time in my life when I probably would have pocketed the cash and gone on with my day happy to have scored a windfall. Found money, right? But over the years I have learned that there is much truth to old adage that the Universe pays you back whatever energy you send out times three, so you want to send out positive energy whenever you can. I also believe strongly in the snowball effect of paying things forward.Which is why I share this with all of you. I'm not seeking pats on the back or praises for being an honest person; that's who I am, and trust me, being so can be a double-edged sword at times. No, I share this because I hope each of you will take the next opportunity that presents itself to you to "pay it forward," and do the right thing. Then, share it with your friends, whether you have a blog or a Facebook page or just tell the story in person. Think of it as your little part of making the world a little bit nicer of place to live in.
Now, I've got some delicious veggie spring rolls to dig into, so it's time to stop blogging and start eating!
Sunday, June 2, 2013
Friday, May 31, 2013
On the Completion of Edison's First Trip Around the Sun
Toward the end of last July, the two most awesome cats in the world came into my life. I adopted two kittens, both of them Siamese/tiger mixes, from the parents of a good friend who needed to place them in a good home. At only eight and four weeks old, respectively, when they arrived in Ruttville, Edison and Amadeus were so tiny the could share a standard-sized cat carrier with room to spare.
They earned their names immediately: Edison proved to be the thinker, the more inventive of the two, and remains so now. It's fascinating to watch him as he observes, learns, and figures things out, from how to best position himself for sneak attacks upon his younger brother to how to pry open the cupboard door and find the packet of cat treats hidden within. Amadeus was from the start the more vocal cat, mewing out melodies as he explored his new digs, and even now chirps and yowls and sings happily on a regular basis.I call them brothers, even though they are not from the same litter. In fact, Edison's first year on the planet began very roughly. You can see in early pictures of him evidence of a nasty wound on the top of his head, which was part of the reason he needed a new home. Edison was an orphan, and my friend's folks owned the cat who was Amadeus' mother. Since she had just recently had the litter that included Amadeus, they took Edison in hoping the mother cat would adopt him as part of her new brood. Unfortunately, in cat development, especially at such an early stage, four weeks of difference in age is apparently an unbridgeable gap. Not only did the mother reject Edison, but she saw him as a threat to her kittens and attacked him.
So, for a kitten who, in his first 8 weeks on the planet had been orphaned, attacked, and had been moved to three different homes, Edison has turned out to be one cool cat. Happy Birthday, my Friend. I'm glad your third home turned out to be the charm!
Labels:
Amadeus,
Autobiography,
Cats,
Edison,
Ruttville
Monday, May 27, 2013
Now Hear This!
Memorial Day weekend is drawing to a close, which means summer is all but upon us, though recent temperatures around these parts would have you believing otherwise. Still, you're going to be needing some new tunes to be blaring out of your car stereo while cruising with the top down, or bopping to poolside with your friends, or whatever it is you kids do in the summer these days.
It's a big wide Internet out there, and it's full of tunes. Some are good, some are bad; some you can acquire legitimately, some...well, not so much. It's enough to make your head spin! Friend, I'm here to help. I've done the hard part - I've separated the wheat from the chaff and come up with a list of 10 more excellent musical curios for your musical curio shelf...er, iPod. These aural treats are not presented in any particular order, and I am receiving no compensation of any kind from the artists, other than the sheer enjoyment of listening to their creations. Almost all of these are very recent, but some are not. That's just the way it is. Let's dig in!
Nikki Corvette & the Romeos
New music from Nikki Corvette is always cause for celebration, and her first single with her current backing group ranks among her best ever! Fresh off a European tour, Nikki and her Romeos deliver two killer sides. "He's Gone" is sixties girl group heaven, straight from the Ronnette's playbook; on the flip (which coulda been an A-side itself), Nikki introduces us to her band in her classic bubblegum punk style. Physical copies of the single are limited to 300 and going fast - get yerself over to Bandcamp and at least get the tunes!
Roomrunner
There is something very cool happening musically in Baltimore these days. There has developed quite a collection of local bands creating some pretty incredible music. In previous posts I've mentioned bands like The Fishnet Stalkers and Plurals. Now let me mention Roomrunner, whose first full-length release, Ideal Cities, is out now and available on Bandcamp. Roomrunner's nods towards the grunge forefathers, especially Nirvana, are evident immediately, but don't kid yourself: these guys can thrash as well as anyone. The lead track, "Bait Car", comes careening at you like Big Black with a searing headache. You can either grab on and take the ride of your life or be swept up in the wake of the passing maelstrom. Great stuff!
Ed Schrader's Music Beat
Did I mention there is something cool happening in the Baltimore music scene? Here's yet another example. Ed Schrader pounds out the music beat on his stand-up floor tom while Devlin Rice plays bass. Together they make a lot of racket, but find all kinds of sonic layers and variety from those two instruments. Every bit as intelligent as fellow duo They Might Be Giants, Ed and Devlin's songs lean sonically more towards Math The Band or Half Japanese. Check out "Radio Eyes" for details:
Imelda May
Until recently, I had missed the boat on Ireland's incredible Imelda May. A few weeks ago a friend sent me a clip of her performing her debut single "Johnny Got A Boom Boom," a wild rockabilly ride that caught my immediate attention, and another clip of her crooning "Cry Me A River" in a perfect torch-singer pout that blew me away. I immediately sought out more, and found the wonderful "Psycho," in which Ms. May comes as close to being Wanda Jackson as anyone not named Wanda Jackson ever could. Behold:
Yes Mistress
Out of Long Beach, Yes Mistress may be the best rawk-n-roll band with the worst band name going these days. But oh, man are they awesome! "Do You Think I'm Satan?" is the best of a handful of truly fantastic tunes these guys have recorded (check out their Soundcloud page for more, including the excellent "Gunna Get Arrested"). Turn it up loud enough and you'll actually hear your own head go ka-THUNK!
Yes Mistress - "Do You Think I'm Satan... by BlankTV
Hank Wood & The Hammerheads
Sleazy, scuzzy, lo-fi garage punk still has a place in this world, and Hank Wood & the Hammerheads had the market cornered for a brief moment last year with the release of their debut (and, apparently, swan song) LP, Go Home! "It's Hard On The Street" epitomizes their growling, grumbling, ear-scraping sound:
Sonic Scream
Grungy psychedelia from Hertfordshire, UK. Sonically somewhere between Mudhoney and MX-80 Sound, with a six-song EP released this past August (Without A Sound), Sonic Scream offer fuzzy guitar riffs, chugga-chugga rhythms and stonerific lyrics, all of which would have been equally at home in 1968 as 2013. "PowerfuzzeD" is my pick of their current litter, and not just because the D at the end is capitalized...
Gin Wigmore
The third in my current triumvirate of post-Amy Winehouse female singers who reinterpret the old and make it not only new, but entirely their own (Gemma Ray and the earlier-mentioned Imelda May being the other two), Gin Wigmore may be the most stunning of the lot. With an incredibly sexy, bluesy snarl and a swagger beyond her 26 years, Gin has been collecting accolades for some time in her native New Zealand. It's only recently that she's getting any attention here in the States, but with cuts like "Kill Of The Night," people should definitely take notice.
Persian Claws
Finally, Persian Claws have their self-titled debut album out - limited edition though it may be. If you're quick enough, you can order it through their label, Musica Para Locos Records, by sending them a Facebook message. At least, that's how I got my copy (complete with autographed postcard of Dee Claw - awesomeness!), and it has basically dominated the turntable since arriving. Spinning a sunshine-y surf-punk-a-go-go sound, Persian Claws have slowly amassed an album's worth of amazingly good music. Was hard to pick just one sample track, but "Yours Sincerely" gives you a good idea of the fun you're in for:
TV Girl
"She Smokes In Bed," the new single from TV Girl, is one of those songs that that wheedles it's way into your head and sticks there, insisting that you listen to it again and again. With a chugging melody and an irresistible "ba-ba-ba, ba-ba-pa-da-da-da-da" chorus, the music washes over you in pleasant waves, vaguely reminiscent of Orchestral Manoeuvres In The Dark at their best. Definitely eager to hear more from this band!
It's a big wide Internet out there, and it's full of tunes. Some are good, some are bad; some you can acquire legitimately, some...well, not so much. It's enough to make your head spin! Friend, I'm here to help. I've done the hard part - I've separated the wheat from the chaff and come up with a list of 10 more excellent musical curios for your musical curio shelf...er, iPod. These aural treats are not presented in any particular order, and I am receiving no compensation of any kind from the artists, other than the sheer enjoyment of listening to their creations. Almost all of these are very recent, but some are not. That's just the way it is. Let's dig in!
Nikki Corvette & the Romeos
New music from Nikki Corvette is always cause for celebration, and her first single with her current backing group ranks among her best ever! Fresh off a European tour, Nikki and her Romeos deliver two killer sides. "He's Gone" is sixties girl group heaven, straight from the Ronnette's playbook; on the flip (which coulda been an A-side itself), Nikki introduces us to her band in her classic bubblegum punk style. Physical copies of the single are limited to 300 and going fast - get yerself over to Bandcamp and at least get the tunes!
Roomrunner
There is something very cool happening musically in Baltimore these days. There has developed quite a collection of local bands creating some pretty incredible music. In previous posts I've mentioned bands like The Fishnet Stalkers and Plurals. Now let me mention Roomrunner, whose first full-length release, Ideal Cities, is out now and available on Bandcamp. Roomrunner's nods towards the grunge forefathers, especially Nirvana, are evident immediately, but don't kid yourself: these guys can thrash as well as anyone. The lead track, "Bait Car", comes careening at you like Big Black with a searing headache. You can either grab on and take the ride of your life or be swept up in the wake of the passing maelstrom. Great stuff!
Ed Schrader's Music Beat
Did I mention there is something cool happening in the Baltimore music scene? Here's yet another example. Ed Schrader pounds out the music beat on his stand-up floor tom while Devlin Rice plays bass. Together they make a lot of racket, but find all kinds of sonic layers and variety from those two instruments. Every bit as intelligent as fellow duo They Might Be Giants, Ed and Devlin's songs lean sonically more towards Math The Band or Half Japanese. Check out "Radio Eyes" for details:
Imelda May
Until recently, I had missed the boat on Ireland's incredible Imelda May. A few weeks ago a friend sent me a clip of her performing her debut single "Johnny Got A Boom Boom," a wild rockabilly ride that caught my immediate attention, and another clip of her crooning "Cry Me A River" in a perfect torch-singer pout that blew me away. I immediately sought out more, and found the wonderful "Psycho," in which Ms. May comes as close to being Wanda Jackson as anyone not named Wanda Jackson ever could. Behold:
Yes Mistress
Out of Long Beach, Yes Mistress may be the best rawk-n-roll band with the worst band name going these days. But oh, man are they awesome! "Do You Think I'm Satan?" is the best of a handful of truly fantastic tunes these guys have recorded (check out their Soundcloud page for more, including the excellent "Gunna Get Arrested"). Turn it up loud enough and you'll actually hear your own head go ka-THUNK!
Yes Mistress - "Do You Think I'm Satan... by BlankTV
Hank Wood & The Hammerheads
Sleazy, scuzzy, lo-fi garage punk still has a place in this world, and Hank Wood & the Hammerheads had the market cornered for a brief moment last year with the release of their debut (and, apparently, swan song) LP, Go Home! "It's Hard On The Street" epitomizes their growling, grumbling, ear-scraping sound:
Sonic Scream
Grungy psychedelia from Hertfordshire, UK. Sonically somewhere between Mudhoney and MX-80 Sound, with a six-song EP released this past August (Without A Sound), Sonic Scream offer fuzzy guitar riffs, chugga-chugga rhythms and stonerific lyrics, all of which would have been equally at home in 1968 as 2013. "PowerfuzzeD" is my pick of their current litter, and not just because the D at the end is capitalized...
Gin Wigmore
The third in my current triumvirate of post-Amy Winehouse female singers who reinterpret the old and make it not only new, but entirely their own (Gemma Ray and the earlier-mentioned Imelda May being the other two), Gin Wigmore may be the most stunning of the lot. With an incredibly sexy, bluesy snarl and a swagger beyond her 26 years, Gin has been collecting accolades for some time in her native New Zealand. It's only recently that she's getting any attention here in the States, but with cuts like "Kill Of The Night," people should definitely take notice.
Persian Claws
Finally, Persian Claws have their self-titled debut album out - limited edition though it may be. If you're quick enough, you can order it through their label, Musica Para Locos Records, by sending them a Facebook message. At least, that's how I got my copy (complete with autographed postcard of Dee Claw - awesomeness!), and it has basically dominated the turntable since arriving. Spinning a sunshine-y surf-punk-a-go-go sound, Persian Claws have slowly amassed an album's worth of amazingly good music. Was hard to pick just one sample track, but "Yours Sincerely" gives you a good idea of the fun you're in for:
TV Girl
"She Smokes In Bed," the new single from TV Girl, is one of those songs that that wheedles it's way into your head and sticks there, insisting that you listen to it again and again. With a chugging melody and an irresistible "ba-ba-ba, ba-ba-pa-da-da-da-da" chorus, the music washes over you in pleasant waves, vaguely reminiscent of Orchestral Manoeuvres In The Dark at their best. Definitely eager to hear more from this band!
Sunday, May 26, 2013
Monday, April 22, 2013
REPOST - New Wave for the New Week #18: Divinyls
Sad news today that Christina Amphlett, former lead singer of Divinyls, passed away at age 53 from complications of breast cancer and multiple sclerosis. In her honor, here is a repost of the New Wave For the New Week entry I wrote for Divinyls on July 13, 2009. R.I.P., Christina.
______________________________________________________
Cover of Desperate
Some bands are fated to toil away in obscurity making wonderful music, to have their only taste of mainstream success come in the form of a song so unbefitting it's almost comically sad. Such a fate was that of Australia's Divinyls.
To most people, if they even remember that band name at all, the one song that they know is the shock-hit "I Touch Myself," which was their only visit to the American record charts, climbing all the way to #4. It's an OK, if too-purposefully titillating, single - but for that to be all Divinyls would be remembered for is a disservice to a solid band with a number of very good records under their belt.
Based from the start around the duo of Christina Amphlett and Mark McEntee, Divinyls first made noise in their native land around 1980. Their first release, an EP of music created for the movie Monkey Grip, included two wonderful singles. "Boys in Town" and "Only Lonely" got the band noticed quickly, both charting in the top 20 in Australia. Both songs were included on their debut album, Desperate, the following year, along with their third single and this week's entry, "Science Fiction."
The band continued their Australian success with two more albums and a few more charting singles, including "Pleasure and Pain" (1985) and "Hey Little Boy" (a 1988 reworking of The Syndicate of Sound's 1966 garage stomper "Hey Little Girl").
Despite their growing reputation and a fair amount of play on MTV, their breakthrough seemed like it would never happen until that 1991 smash. Another record followed with little publicity, and Amphlett and McEntee went their separate ways.
This week, enjoy Divinyls as they should have been remembered with their entry in the NW4NW series, "Science Fiction," which was named one of the top 30 Australian songs of all time by APRA (Australian Performing Rights Association).
______________________________________________________
To most people, if they even remember that band name at all, the one song that they know is the shock-hit "I Touch Myself," which was their only visit to the American record charts, climbing all the way to #4. It's an OK, if too-purposefully titillating, single - but for that to be all Divinyls would be remembered for is a disservice to a solid band with a number of very good records under their belt.
Based from the start around the duo of Christina Amphlett and Mark McEntee, Divinyls first made noise in their native land around 1980. Their first release, an EP of music created for the movie Monkey Grip, included two wonderful singles. "Boys in Town" and "Only Lonely" got the band noticed quickly, both charting in the top 20 in Australia. Both songs were included on their debut album, Desperate, the following year, along with their third single and this week's entry, "Science Fiction."
The band continued their Australian success with two more albums and a few more charting singles, including "Pleasure and Pain" (1985) and "Hey Little Boy" (a 1988 reworking of The Syndicate of Sound's 1966 garage stomper "Hey Little Girl").
Despite their growing reputation and a fair amount of play on MTV, their breakthrough seemed like it would never happen until that 1991 smash. Another record followed with little publicity, and Amphlett and McEntee went their separate ways.
This week, enjoy Divinyls as they should have been remembered with their entry in the NW4NW series, "Science Fiction," which was named one of the top 30 Australian songs of all time by APRA (Australian Performing Rights Association).
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