Sunday, February 12, 2012
Monday, February 6, 2012
New Wave for the New Week #144
It was Shaw's Bomp! label that released the debut single from the band 20/20. "Giving It All" appeared in 1978, a brightly colored wad of late-'60s/early-'70s bubblegum in the midst of a bland late-'70s disco world. Crisp, shimmering and joyous, "Giving It All" caught a few influential ears, and before long these kids with their skinny ties, holdover shag haircuts, and mildly anachronistic sound found themselves signed by CBS via their Portrait label.
Their debut LP, the self-titled and absolutely essential 20/20, is one of the most underrated records of the 1970s. A virtual primer on what power-pop is supposed to sound like, the record boasts several shoulda-been hits that have received much more notice in recent years than they did at the time. "Yellow Pills," a pseudo-psychedelic trip through producer Earle Mankey's bag of studio tricks, may be their best-known track; "Cheri" is one of the most heartfelt declarations of unrequited love ever put down on vinyl; cuts like "She's An Obsession" and "Out Of This Time" basically laid the ground rules for a thousand power-pop bands to follow. The album is simply a must-have.
The same high praise cannot be offered for their 1981 follow-up LP, Look Out! While it isn't without its charms (notably "Nuclear Boy"), there were some obvious changes made to the band's overall sound - likely at the urging of CBS in hopes of mainstream sales. Where the debut glistened, Look Out! could at best offer a dull sheen. It didn't sell, and CBS cut ties with the band. Both records were reissued on a single CD in 1995.
Undeterred, 20/20 went back to what they did best. After finding a home with the independent Mainway label, they issued a third album in 1982. Sex Trap was a refreshing return to the sound of the first LP, and offered the band promise: Enigma Records picked up the album, remixed a few tracks, dropped one and added the excellent "Jack's Got A Problem." This new version of Sex Trap also boasted better distribution and is usually the version you find floating around for sale these days. (Originals on Mainway sport blue graphics; the Enigma reissue changes the graphics to red.) For completists, there exists a Japanese CD reissue circa 1999 that includes all the tracks from both versions and changes the graphics color to yellow. Collect them all!
20/20 split after 1983, but were reunited ten years later. Two more albums have since been released: 1995's 4 Day Tornado and 1998's Interstate. Those looking for the 20/20 of old may find complaints, but those who care to hear a solid band who have matured into musicians willing to test waters outside of their comfort zone (especially on Interstate, which veers into country-twinged sounds) should be pleased.
For this week's NW4NW, we go back to that wonderful debut record. First up, a clip for "Yellow Pills" followed by the simply wonderful "Cheri." Enjoy!
Sunday, February 5, 2012
Tuesday, January 31, 2012
New Wave for the New Week #143
The Kids took their cues from media reports and magazine articles about The Ramones and The Sex Pistols. They wore leather jackets and safety pins and played loud and hard and fast. They spat at their audience and rejoiced when the audience spat back at them. They wrote songs with titles like "Fascist Cops," "Johnny's On The Dole," "I Don't Care" and "Bloody Belgium." They could easily have been written off as a paint-by-numbers wanna-be Punk band, except for the fact that they were so damn engaging and their music, while probably veering closer to tough bar-band swagger than Punk Rock in the traditional sense, was catchy as hell.
Their records are difficult to find but worth the search. In 1978 they released both their debut, The Kids, and its follow-up, Naughty Kids. Both are very much of their time, with the first being a bit stronger of an album and actually seeing a brief reissue a few years back. By the time of the third album in 1980, The Kids had expanded their lineup by adding another guitarist, Luc van de Poel, and had refined their sound to a less abrasive, more power-pop noise, in keeping with the musical trends of the time.
That third album, Living In The 20th Century, is an absolute masterpiece, and ranks high on my personal list of criminally overlooked Punk and New Wave albums. Within its hook-filled grooves of tight, melodic Punk, you will find no filler, and when the needle hits the amazingly irresistible "Do You Wanna Know?," you'll wonder why all music can't be this damn good.
After those first three records, The Kids soldiered on for another five years, releasing a few more albums but never quite duplicating the sound of 20th Century. In 1985 they called it quits, but their records found new audiences through bootlegged copies and occasional collector reissues. Ten years later Mariman got the group back together for some reunion gigs, and they have been playing together ever since. In 2004, they played their first ever show in the USA in Brooklyn, NY, in front of a sell-out crowd. The Kids Anthology, a very difficult to track down and fairly pricey seven-disc (!) boxed set, was issued in 2007 containing just about everything they ever recorded, but is now out of print.
For this week's NW4NW, here are The Kids with a live (and, unfortunately, very poor audio mix) performance of "Do You Wanna Know?" followed by an audio-only clip of the early "Fascist Cops." Enjoy!
Sunday, January 29, 2012
Monday, January 23, 2012
New Wave for the New Week #142
Jeremy/Jeremiah Healy and Kate Garner were the image of Haysi Fantayzee, while Paul Caplin stayed in the background playing all the instruments and managing the band's affairs. Instead of taking the usual route of sending demo tapes to various record labels in hopes of landing a contract, Haysi Fantayzee leveraged their most obvious feature: Healy's and Garner's carefully constructed image. They put together a low-budget video and sent that around, eventually finding a home with the Regard label. Granted, dancing about in their colorful rags made Healy and Garner an eye-catching duo, but the "style over substance" label would haunt them.
The substance was there, even if the critics chose to ignore it. Their debut single, "Holy Joe," caught on enough to get them into the lower reaches of the charts; their sophomore effort, "John Wayne Is Big Leggy," broke them big. Using a story of The Duke taking liberties with a squaw as an allegory for the treatment of Native Americans by European settlers, it was mildly controversial. But damn if it wasn't catchy! The single went to #11 and got them national exposure throughout the UK.
Their third single would be their most well-known, the post-apocalyptic square dance "Shiny Shiny." Though it fell a bit short of its predecessor's mark (only reaching #16) in the UK, it was a huge club hit in the States and remains a staple of nostalgic New Wave compilation albums today.
In early 1983, their lone album, Battle Hymns For Children Singing, appeared, gathering up all three previous singles as well as the concurrently released "Sister Friction." A fun record worth picking up if you can find it, but be wary of the CD reissues: the version issued in 2000 by Razor and Tie features extra tracks, but was poorly mastered resulting in some songs being sped up while others are slowed noticeably; Cherry Pop's 2007 reissue doesn't have the mastering issues, but has different bonus tracks.
This week's NW4NW features Haysi Fantayzee's two big singles. First up, the exuberant "Shiny Shiny," followed by "John Wayne Is Big Leggy." Enjoy!
Sunday, January 22, 2012
Monday, January 16, 2012
New Wave for the New Week #141
One of the too-often forgotten blips on the early-80s Boston music scene was the fascinating Human Sexual Response. Formed in 1978 from the remnants of a goofy all-kazoo project (the awesomely-named Kazoondheit) and the semi-serious a capella group Honey Bea & The Meadow Muffins, Human Sexual Response featured a unique band configuration: seven members including a drummer, bass player, guitarist, and four - count them, four! - vocalists.
In their relatively brief existence they issued two albums. Their debut, Fig. 14, appeared in 1980; In A Roman Mood followed a year later. Both sport the same pluses and minuses. Human Sexual Response was a solid band that featured an overflow of creativity and a marked inconsistency in their ability to translate their ideas into enjoyable songs. When they hit the target, they were incomparable. Early singles like "What Does Sex Mean To Me?" and "Dolls" are great fun; later material ("Pound," "Andy Fell") is darker but equally catchy. They scored a minor regional hit with 1980's "Jackie Onassis" ("I wanna be like Jackie Onassis/I wanna wear a pair of dark sunglasses..."), and were club favorites in and around their native Boston.
Unfortunately, when they missed the mark, they could be pretentious, overly theatrical, and frankly boring. Over both albums they sounded like a band trying to settle on a sound, but never quite finding that comfort zone. Between the two releases an album's worth of solid material could be culled, so the records are definitely worth picking up, but buyer beware - there are a few clinkers. In 1991, nine years after the band dissolved, Rykodisc issued a CD titled Fig. 15. This was the original Fig. 14 album reissued with the addition of the song "Butt Fuck," which they had performed unannounced on a live Boston TV program, Five All Night Live, causing trouble for the band, the show, and the station on which it aired. It's a perfect encapsulation of where the band went wrong: the idea of getting away with thumbing their nose at the FCC was far better than the actual song.
But rather than rehash the bad, let's celebrate the good! This week's NW4NW includes two of Human Sexual Response's best songs. "Blow Up" incorporates footage of the legendary Tura Satana; "Land Of The Glass Pinecones" is a cult masterpiece ("Their seeds are made of rhinestones... / ...They smash on the grass when the wind blows..."). Enjoy!
Sunday, January 8, 2012
Friday, December 30, 2011
Since Everyone Else is Doing It: My Favorite Records of 2011
This is not a countdown.
I feel it's important to state that right off the bat. Yes, I know that in these waning days of the year it's the thing bloggers do: countdowns of the best or worst songs, albums, movies, varieties of soup, what have you. And I hate those kinds of posts, because they always lead to the same arguments among the commenters: "How could you rank X higher than Y? Are you insane?"
2011 was a pretty damn good year for music. Lots of fantastic stuff out there if you're willing to dig for it. So, despite my reticence to join in with the year-end-list crowd, I'm doing it anyway - but I'm not ranking these in any order. Think of this more as a "buying guide" provided to you by your old pal Bryan. You're welcome.
Another note before we dive in: yes, I know one or two titles here might technically have been 2010 releases, but I'm including them because they got a lot of airplay around here this year, and thus they are 2011 releases in spirit. And it's my list. So suck it. Here we go:
Freezepop - Imaginary Friends/Secret Companion
Originally released in the fall of 2010, Freezepop's fourth album, Imaginary Friends, was reissued this year as part of a limited edition two-disc package with nearly another album's worth of bonus material, Secret Companion. Founding members Liz Enthusiasm and The Other Sean T. Drinkwater, along with relative newcomers Robert John "Bananas" Foster and Christmas Disco-Marie Sagan (it took two people to replace the departed Duke of Pannekoeken!) continue the band's remarkable ability to recreate a spot-on circa-1983 synthpop sound updated for the 21st century. It's a fuller, lusher sound these days, but that's not a bad thing. Their insanely clever lyrics and constant ironic wink will leave you wondering at times where the line between tribute and parody lies, but you'll be dancing the whole time, so does it really matter? "Doppelganger" is the single, and it is simply outstanding:
Shilpa Ray & her Happy Hookers - Teenage and Torture
Pounding out blues-based punk-tinged rawk-n-roll on her harmonium and spewing forth raging vocals that will pin you to the wall if you're not careful, Shilpa Ray has drawn favorable comparisons to just about every emotion-fueled female musical icon you can name from Ella Fitzgerald to Chrissy Hynde and beyond, yet she stands quite uniquely on her own with no comparison being quite accurate. "Heaven In Stereo," the first single from Ray's band's second LP, is representative of the driving, insistent sound you'll find throughout. Rough-edged but stunning. Don't miss this one!
Crisis of Conformity - "Fist Fight!"/"Kick it Down and Kick it Around" (single)
Saturday Night Live's greatest musical export since The Blues Brothers turns out to be this nostalgia-fueled celebration of mid-80s hardcore. The brainchild of Fred Armisen, Crisis of Conformity found life in a single skit last season (a newlywed's father gets his old band together at his daughter's wedding reception, and the four graying middle-aged friends launch into "Fist Fight!" while wrecking the place). All of the by-the-book moves are here, from the mid-song tempo change to the nonsequitor name-checking of Ronald Reagan and Alexander Haig. Armisen should know those moves - his pedigree is real, having played drums for Chicago's Trenchmouth in his youth. Drag City Records released the single this year; the clip includes both songs.
Van Buren Boys - Up All Night
Fans of The Exploding Hearts, Paul Collins' Beat, or other hard-edged power pop should line up for this one, the second full-length LP from The Van Buren Boys. Their first effort, 2009's Six String Love, was a helluva debut whose only drawback was that every song sounded very samey (that they all sounded like The Clash's "Gates Of The West" helped mitigate that, of course). With Up All Night, The Van Buren Boys (Seinfeld fans should get the reference) find the confidence to stretch a bit beyond that safe zone. The result is a twangy, guitar-ringing sound that should put a big ol' smile on the faces of those other bands' fans.
They Might Be Giants - Join Us
What could I possibly say about They Might Be Giants that would add anything new or insightful to the many, many songs of their praise over the past 25 years or so? You know everything you need to: John Flansburgh and John Linell are freakin' geniuses when it comes to writing insidiously catchy songs with lyrics far wittier than you or I could ever come up with, and the well from which their creativity springs seems to be bottomless. This year's album is no exception. Just get it.
Shonen Knife - Osaka Ramones
It is truly amazing to consider how far The Ramones' influence has reached over the years. What would music sound like today had they not existed? Scary prospect, isn't it? Many, many artists have attempted to repay their debt by either covering Ramones songs (or occasionally, full albums!) or penning tributes. Few have done so with the unbridled enthusiasm of the wonderful Shonen Knife. Joey Ramone himself gave the girls the nickname "The Osaka Ramones" after hearing them play; they have always said they learned to play rock and roll by listening to The Ramones and The Beatles. Well, if you're gonna do it, you couldn't ask for better teachers! On Osaka Ramones, Shonen Knife reverentially honor the classics: "Blitzkrieg Bop," "Rock 'n' Roll High School," "Beat On the Brat" - they're all here. My personal fave, though, is their take on "Sheena Is A Punk Rocker." Enjoy!
Poly Styrene - Generation Indigo
Former X-Ray Spex frontwoman Poly Styrene's comeback album also, sadly, turned out to be her swansong. Released shortly before losing her battle with cancer, Generation Indigo presented Poly in prime form. In 1977 she was singing about a world of dayglo and genetic engineering and disposable society; in 2011 she was still going on about such modernisms being foisted on us in place of real human interaction ("Virtual Boyfriend"). Her vocal style, once described as shrieking out songs "with all the delicacy of a cat in heat," had grown into a confident, strong, unique voice that served her well whether the sound was hard, soft, reggae, dance, whatever. Enjoy "Thrash City," one of the best tracks on an excellent album:
Madam Adam - Madam Adam
From the hard rock side of my record collection I offer South Carolina's Madam Adam. Discovered this band opening up for Halestorm here in Lancaster, PA, about this time last year, and was very impressed. Granted, they're not breaking any new ground here: it's just no-frills, by-the-book rock-n-roll with tinges of Aerosmith and Cheap Trick. It's a sound that will always sell because it's just good. It's party music; it's music for speeding down the highway in a car filled with too many friends; it's music for blasting on your stereo and violently air-guitaring until the neighbors pound on the door and demand you turn it down. Crank up the single "Sex Ain't Love" and see for yourself:
Hillbilly Moon Explosion - Buy Beg or Steal
After half a dozen albums, it's a shame Switzerland's Hillbilly Moon Explosion haven't found a larger audience. Basing their sound in American rockabilly with a modern twist, not entirely unlike HorrorPops, Hillbilly Moon Explosion are at once very familiar and very foreign. You could jump in just about anywhere in their discography and be pleasantly surprised at the gems you'll find, but the prize found in this year's release is their cover of Orchestral Manouevres In The Dark's "Enola Gay," about the first aircraft to drop an atomic bomb as a weapon of war. Brilliant!
Kimberly Freeman - Into Outer Space
I discovered Austin, Texas' One-Eyed Doll earlier this year, and they have quickly become one of my favorite bands. As I've gotten to know their material, I've discovered that Kimberly Freeman is a remarkably talented and unbelievably creative force. Within the framework of One-Eyed Doll she is all over the musical map (as noted in earlier posts, they run the gammut from death metal screaming to hook-laden pop to children's-song chanting); outside of One-Eyed Doll, her solo work finds even more facets to her fascinating musical world. I could rave about her work for hours, but that would take away time you could be spending listening for yourself! Check out "Fame And Loathing," the single from Freeman's 2011 solo album Into Outer Space, then follow the link to the One-Eyed Doll site and start exploring!
Amy Gore & Her Valentines - "Drivin' Around"
A late entry in the 2011 sweepstakes, but a winner nonetheless, is the debut track from Amy Gore's current ensemble. Best known for her work in The Gore Gore Girls and her teaming with Nikki Corvette to form Gorevette, Amy gathered up these particular Valentines for a one-off gig in her native Detroit. They discovered they really enjoyed playing together, and ta-da: a new band is born! "Drivin' Around" is one of those tracks that nearly defies genre. It's a solid chunk of whaddaya-wanna-do-tonight-I-dunno-whadda-you-wanna-do guitar rock, with a simple but insidiously catchy chorus and sound that holds great promise for a full album's worth of goodies from the band. Soon Amy? Please?
OK, those are my picks for 2011. How about yours? Any glaring omissions here? Have at it in the comments section! And also, please have a safe and happy New Year!
I feel it's important to state that right off the bat. Yes, I know that in these waning days of the year it's the thing bloggers do: countdowns of the best or worst songs, albums, movies, varieties of soup, what have you. And I hate those kinds of posts, because they always lead to the same arguments among the commenters: "How could you rank X higher than Y? Are you insane?"
2011 was a pretty damn good year for music. Lots of fantastic stuff out there if you're willing to dig for it. So, despite my reticence to join in with the year-end-list crowd, I'm doing it anyway - but I'm not ranking these in any order. Think of this more as a "buying guide" provided to you by your old pal Bryan. You're welcome.
Another note before we dive in: yes, I know one or two titles here might technically have been 2010 releases, but I'm including them because they got a lot of airplay around here this year, and thus they are 2011 releases in spirit. And it's my list. So suck it. Here we go:
Freezepop - Imaginary Friends/Secret Companion
Originally released in the fall of 2010, Freezepop's fourth album, Imaginary Friends, was reissued this year as part of a limited edition two-disc package with nearly another album's worth of bonus material, Secret Companion. Founding members Liz Enthusiasm and The Other Sean T. Drinkwater, along with relative newcomers Robert John "Bananas" Foster and Christmas Disco-Marie Sagan (it took two people to replace the departed Duke of Pannekoeken!) continue the band's remarkable ability to recreate a spot-on circa-1983 synthpop sound updated for the 21st century. It's a fuller, lusher sound these days, but that's not a bad thing. Their insanely clever lyrics and constant ironic wink will leave you wondering at times where the line between tribute and parody lies, but you'll be dancing the whole time, so does it really matter? "Doppelganger" is the single, and it is simply outstanding:
Shilpa Ray & her Happy Hookers - Teenage and Torture
Pounding out blues-based punk-tinged rawk-n-roll on her harmonium and spewing forth raging vocals that will pin you to the wall if you're not careful, Shilpa Ray has drawn favorable comparisons to just about every emotion-fueled female musical icon you can name from Ella Fitzgerald to Chrissy Hynde and beyond, yet she stands quite uniquely on her own with no comparison being quite accurate. "Heaven In Stereo," the first single from Ray's band's second LP, is representative of the driving, insistent sound you'll find throughout. Rough-edged but stunning. Don't miss this one!
Crisis of Conformity - "Fist Fight!"/"Kick it Down and Kick it Around" (single)
Saturday Night Live's greatest musical export since The Blues Brothers turns out to be this nostalgia-fueled celebration of mid-80s hardcore. The brainchild of Fred Armisen, Crisis of Conformity found life in a single skit last season (a newlywed's father gets his old band together at his daughter's wedding reception, and the four graying middle-aged friends launch into "Fist Fight!" while wrecking the place). All of the by-the-book moves are here, from the mid-song tempo change to the nonsequitor name-checking of Ronald Reagan and Alexander Haig. Armisen should know those moves - his pedigree is real, having played drums for Chicago's Trenchmouth in his youth. Drag City Records released the single this year; the clip includes both songs.
Van Buren Boys - Up All Night
Fans of The Exploding Hearts, Paul Collins' Beat, or other hard-edged power pop should line up for this one, the second full-length LP from The Van Buren Boys. Their first effort, 2009's Six String Love, was a helluva debut whose only drawback was that every song sounded very samey (that they all sounded like The Clash's "Gates Of The West" helped mitigate that, of course). With Up All Night, The Van Buren Boys (Seinfeld fans should get the reference) find the confidence to stretch a bit beyond that safe zone. The result is a twangy, guitar-ringing sound that should put a big ol' smile on the faces of those other bands' fans.
They Might Be Giants - Join Us
What could I possibly say about They Might Be Giants that would add anything new or insightful to the many, many songs of their praise over the past 25 years or so? You know everything you need to: John Flansburgh and John Linell are freakin' geniuses when it comes to writing insidiously catchy songs with lyrics far wittier than you or I could ever come up with, and the well from which their creativity springs seems to be bottomless. This year's album is no exception. Just get it.
Shonen Knife - Osaka Ramones
It is truly amazing to consider how far The Ramones' influence has reached over the years. What would music sound like today had they not existed? Scary prospect, isn't it? Many, many artists have attempted to repay their debt by either covering Ramones songs (or occasionally, full albums!) or penning tributes. Few have done so with the unbridled enthusiasm of the wonderful Shonen Knife. Joey Ramone himself gave the girls the nickname "The Osaka Ramones" after hearing them play; they have always said they learned to play rock and roll by listening to The Ramones and The Beatles. Well, if you're gonna do it, you couldn't ask for better teachers! On Osaka Ramones, Shonen Knife reverentially honor the classics: "Blitzkrieg Bop," "Rock 'n' Roll High School," "Beat On the Brat" - they're all here. My personal fave, though, is their take on "Sheena Is A Punk Rocker." Enjoy!
Poly Styrene - Generation Indigo
Former X-Ray Spex frontwoman Poly Styrene's comeback album also, sadly, turned out to be her swansong. Released shortly before losing her battle with cancer, Generation Indigo presented Poly in prime form. In 1977 she was singing about a world of dayglo and genetic engineering and disposable society; in 2011 she was still going on about such modernisms being foisted on us in place of real human interaction ("Virtual Boyfriend"). Her vocal style, once described as shrieking out songs "with all the delicacy of a cat in heat," had grown into a confident, strong, unique voice that served her well whether the sound was hard, soft, reggae, dance, whatever. Enjoy "Thrash City," one of the best tracks on an excellent album:
Madam Adam - Madam Adam
From the hard rock side of my record collection I offer South Carolina's Madam Adam. Discovered this band opening up for Halestorm here in Lancaster, PA, about this time last year, and was very impressed. Granted, they're not breaking any new ground here: it's just no-frills, by-the-book rock-n-roll with tinges of Aerosmith and Cheap Trick. It's a sound that will always sell because it's just good. It's party music; it's music for speeding down the highway in a car filled with too many friends; it's music for blasting on your stereo and violently air-guitaring until the neighbors pound on the door and demand you turn it down. Crank up the single "Sex Ain't Love" and see for yourself:
Hillbilly Moon Explosion - Buy Beg or Steal
After half a dozen albums, it's a shame Switzerland's Hillbilly Moon Explosion haven't found a larger audience. Basing their sound in American rockabilly with a modern twist, not entirely unlike HorrorPops, Hillbilly Moon Explosion are at once very familiar and very foreign. You could jump in just about anywhere in their discography and be pleasantly surprised at the gems you'll find, but the prize found in this year's release is their cover of Orchestral Manouevres In The Dark's "Enola Gay," about the first aircraft to drop an atomic bomb as a weapon of war. Brilliant!
Kimberly Freeman - Into Outer Space
I discovered Austin, Texas' One-Eyed Doll earlier this year, and they have quickly become one of my favorite bands. As I've gotten to know their material, I've discovered that Kimberly Freeman is a remarkably talented and unbelievably creative force. Within the framework of One-Eyed Doll she is all over the musical map (as noted in earlier posts, they run the gammut from death metal screaming to hook-laden pop to children's-song chanting); outside of One-Eyed Doll, her solo work finds even more facets to her fascinating musical world. I could rave about her work for hours, but that would take away time you could be spending listening for yourself! Check out "Fame And Loathing," the single from Freeman's 2011 solo album Into Outer Space, then follow the link to the One-Eyed Doll site and start exploring!
Amy Gore & Her Valentines - "Drivin' Around"
A late entry in the 2011 sweepstakes, but a winner nonetheless, is the debut track from Amy Gore's current ensemble. Best known for her work in The Gore Gore Girls and her teaming with Nikki Corvette to form Gorevette, Amy gathered up these particular Valentines for a one-off gig in her native Detroit. They discovered they really enjoyed playing together, and ta-da: a new band is born! "Drivin' Around" is one of those tracks that nearly defies genre. It's a solid chunk of whaddaya-wanna-do-tonight-I-dunno-whadda-you-wanna-do guitar rock, with a simple but insidiously catchy chorus and sound that holds great promise for a full album's worth of goodies from the band. Soon Amy? Please?
OK, those are my picks for 2011. How about yours? Any glaring omissions here? Have at it in the comments section! And also, please have a safe and happy New Year!
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