My 20 Favorite Songs of the First Decade of the 2000s (Part Two)

Loving the feedback I've been getting on Facebook and Twitter for the first half of the countdown - now if only I could get you guys to actually comment HERE...

But enough of my whining, let's finish up this countdown, shall we?

#10 - "Because I'm Awesome" by The Dollyrots (2007)
Kelly Ogden and her band The Dollyrots actually are awesome, and so is this song, which was the title cut from their second album (which also includes a killer cover of Melanie's "Brand New Key"). Getting national attention via airplay on Little Steven's Underground Garage, The Dollyrots have had their music turn up on TV shows ranging from CSI: NY to Ugly Betty. About time for a new album from them (pleasepleaseplease...)


#9 - "Lighten Up, Morrissey" by Sparks (2008)
A perfect example of what makes Sparks such an amazing band: an inherent sense of what a pop song should sound like coupled with an adamant refusal to write pop songs, and subject matter that no one else ever thought to tackle (here, the tribulations of dating a girl who is WAY too into the former Smiths singer) handled with some of the most brilliantly clever lyrics ever written. Recording since the early 1970s, Sparks show no signs of slowing down, thankfully. You can find this on last year's Exotic Creatures of the Deep album.


#8 - "Fell in Love with a Girl" by The White Stripes (2001)
Hard to believe this song is almost ten years old already! The White Stripes' brand of minimalistic lo-fi exhuberance is easy to spot, although the duo of Jack White and Meg White (who have claimed to be brother & sister, boyfriend & girlfriend, husband & wife, and divorced couple at various times throughout their career - they actually have been three of the four) have tried their hands at a number of genres. This, from White Blood Cells, is easily my favorite thing they ever did.


#7 - "Maneaters (Get Off the Road)" by Josie Cotton (2007)
Yep, the same Josie Cotton who had an underground hit back in the early 1980s with "Johnny, Are You Queer?" She's made something of a comeback this decade, releasing two albums. Most recent was Invasion of the B-Girls, from which comes this wonderful cover of the theme song from Herschell Gordon Lewis' 1968 cult classic She Devils on Wheels. Out-frickin'-standing!


#6 - "Too Bad About Your Girl" by The Donnas (2002)
It's easy to spot that these girls grew up listening to The Ramones, AC/DC and Kiss; it's also clear that they studied their Joan Jett records. Although they get lumped into the Punk and Alternative category, what The Donnas do is really just good ol' rawk 'n' roll with no apologies. Gotta love that! Annoyingly, they are also the band that I have had the most chances to see live but haven't yet seen - something always comes up! I will get to see them eventually; until then, their records, such as Spend the Night (where this song can be found), will have to do. Oh, and major props for the PJ Soles cameo in the clip!

Watch more Spend the Night videos on AOL Video

#5 - "Hot Night Crash" by Sahara Hotnights (2004)
If The Donnas represent the musical fruition of the seeds Joan Jett planted, then Sweden's Sahara Hotnights evolved directly from Suzi Quatro: a litle glammier, a little poppier, but every bit as tough. This song, which boasts one of the catchiest damn choruses of the decade, is one of those "any time it comes on the volume MUST be turned up" tunes. Pick up the Kiss and Tell album to hear more!


#4 - "Extraordinary Machine" by Fiona Apple (2002/2005)
First thing you'll notice here is that there are two years given for this song. This represents the three-year wait that we had to endure before Fiona Apple's label would officially release the Extraordinary Machine album. Early (and, I believe, superior) demo versions of the album were leaked online and a grassroots "Free Fiona" campaign helped to finally get the songs released in some form. What was officially released was, of course, something closer to the polished, shiny radio product that the label wanted. But you cannot hide pure talent, which is what Fiona is. Here's hoping we don't have to wait so long or fight so hard for the next record!


#3 - "Maps" by The Yeah Yeah Yeahs (2003)
Majestic, soaring, hypnotic..."Maps" exploded onto college and alternative radio playlists in 2003, and The Yeah Yeah Yeahs have never looked back. Led by the fascinatingly exotic Karen O, The Yeah Yeah Yeahs have released three albums of amazing music, ranging from tuneless shrieking to beautiful washes of melody, all of it demanding your attention in much the same way Karen herself does onstage. This, from their debut, Fever to Tell, remains their most awesome creation.


#2 - "Science Genius Girl" by Freezepop (2000)
It's hard to tell sometimes whether Bostonians Liz Enthusiasm, The Other Sean T. Drinkwater, and The Duke of Pannekoeken (collectively, Freezepop) are being serious or are doing a deadly-sharp parody of '80s synthpop. They've got the playbook down pat, and certainly are capable of writing great songs, but when those songs include odes to former Growing Pains star "Tracy Gold" and trendy '80s mall store "Chess King," you have to wonder how hard they're laughing while you're dancing. "Science Genius Girl," from their debut album Freezepop Forever, is a perfect example: catchy, undeniably danceable, but all done with a coy wink. Hmmm...


#1 - "Terminal Boredom" by The Cute Lepers (2008)
Ordering this list was difficult; picking the #1 song was easy. The Cute Lepers' Can't Stand Modern Music has seldom left my CD changer in the last year or so, and this song is the standout on that excellent album. No new ground being broken here - it's good ol' punk rock done the right way: power chords, a healthy dose of snarkiness, and chant-along lyrics about there ain't being nothin' to do. It's great from start to finish, a wonderful musical time machine. Perfect!


So there you have it - my picks for the Top 20 songs of the decade. I'm sure you have comments, or your own lists. Bring 'em on!

And, wherever or however you are celebrating New Year's Eve this year, please be safe, and have a happy, healthy, and joyous 2010!

My 20 Favorite Songs of the First Decade of the 2000s (Part One)

Hey, look at the calendar! Just a couple days left in the last year of the first decade of the century! (Before we go any further - peace to all of you who insist that the new decade doesn't start until 2011, and that the century didn't start until 2001, because there was no year "0", yadda yadda yadda...I hear you, and I follow your logic, but I gotta go with aesthetics. Plus, I'm ready to do this post NOW - don't make me wait another year!)

Anyway, seems like everyone loves to make year-end and decade-end lists, and I'm no exception. So I put together a list of the best songs of the past ten years. It was tough to pare it down to just the top 20, but I managed, and now I count them down for you, Casey Kasem-style, in two posts. Today we'll cover songs 20 through 11; tomorrow, Part Two will count down from 10 to 1.

Lists like this, subjective as they are, are always fodder for rousing debate. Feel free to comment accordingly. Here we go kids!

#20 - "Goodnight, Goodnight" by Hot Hot Heat (2005)
Bursting out of Victoria, British Columbia as part of the mid-decade New Wave "revival" scene, Hot Hot Heat offered this wickedly chirpy little break-up song. They seldom stray far from this sound, which is a good thing. From the album Elevator.

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#19 - "On the Radio" by Regina Spektor (2006)
The self-described "Bronx girl by way of Moscow who writes songs for piano, voice, drum stick and guitar," wrote a particularly nifty one here, with some wonderfully brilliant lyrics: "And on the radio you'll hear 'November Rain'/That solo's awfully long, but it's a good refrain/You'll listen to it twice, because the DJ is asleep..." The song can be found on Regina's excellent Begin to Hope album.


#18 - "It's Not Right" by DEVA (2007)
The only non-officially-released song in the countdown, but so very deserving of being here, for concept as much as for execution. "NYC's femme-fronted Devo cover band," DEVA (think about how that's pronounced for a moment...genius!) has been playing live for several years and getting their music out through YouTube and their MySpace page. Their take on the Spudboy's "It's Not Right" blurs the line wonderfully between tribute and parody.


#17 - "Ocean Breathes Salty" by Modest Mouse (2004)
Cross The Pixies with Talking Heads, and the result would not be far from Modest Mouse. In fact, it's not difficult to imagine either Frank Black or David Byrne singing this one, although neither would imbue it with quite the level of visceral emotion Isaac Brock manages. This was the second single from the album Good News for People Who Love Bad News.


#16 - "Lights Out" by Santogold (2008)
It's not often when I discover a song thanks to a beer commercial, but when Santogold's ethereal bop turned up in a series of Bud Light commercials last year, I was hooked. Those who are old enough to remember the campy late '70s Santo Gold jewelry infomercials will smile at the name Santi White chose for herself; those same jewelers sued, and she had to change it to the current Santigold. The album was self-titled, and can be found under both names as well.


#15 - "Donut Man" by The Dickies (2001)
The Dickies will always be one of my all-time favorite bands. They're hyperspeed California cartoon punk is always fun stuff. Still going strong after three decades! Find this one on their 2001 release, All This and Puppet Stew.


#14 - "Eight Easy Steps" by Alanis Morissette (2004)
There are those who don't understand how Alanis Morissette fits into my musical universe, while others who know me well say it makes perfect sense that she would be one of my three favorite artists of all time (along with Bow Wow Wow and Sparks - twist your head around THAT triumverate!) Her more recent material has been hit and miss, but she never hit as dead on as she did with this one. From the otherwise disappointing So-Called Chaos album.


#13 - "I Love You 'Cause I Have To" by Dogs Die in Hot Cars (2004)
Great band name, funny lyrics, insistently catchy hooks - how can you go wrong? Scotland's Dogs Die in Hot Cars may come across sounding like they nicked it all from their collection of XTC records (close your eyes and you'll swear that's Andy Partridge singing the chorus), but at least they chose their source material well. From the album Please Describe Yourself.


#12 - "Relator" by Scarlett Johansson & Pete Yorn (2009)
This song is so much better than it has any right to be. Pete Yorn is from the cookie-cutter school of sensitive indie guys with guitars, and Scarlett Johannson is a whole lot easier on the eyes than she is on the ears, but together they made this incredibly wonderful song. Johannson purrs over top of a chug-a-chug melody that just brings a smile to my face every time I hear it. From the album Break Up.

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#11 - "Miss Take" by HorrorPops (2004)
Tattoos, piercings, B-movie shock make-up, punky psychobilly sounds, go-go dancers and a girl with a stand up bass. That describes the wonderful world of the Danish band HorrorPops, whose Hell Yeah! may have been the most criminally unsung album of the year back in 2004. Go out and buy it now!


Stay tuned for Part Two...

True Friends, Amazing Coincidences, and How 15 Years Melted Away in One Day

"Tonight I'll dream while I'm in bed
When silly thoughts go through my head
About the bugs and alphabet
And when I wake tomorrow I'll bet
That you and I will walk together again
I can tell that we are going to be friends..."

- "We Are Going To Be Friends" by White Stripes

Have you ever had one of those days when the Universe reminds you in some amazing way that everything is interconnected, that things happen the way they do for reasons and not at random, and that the truly important people in your life will always be the truly important people, no matter what? That was the Christmas present the Universe gave me this past Saturday.

True Friends
Saturday morning I logged on to Facebook, and immediately got an IM from my friend Aimee. She had told me earlier that she was planning to be in town and we had decided to try to get together; until we found each other on Facebook about a month ago, we had not heard from one another in nearly fifteen years.

Aimee and I worked together at The Marion Court Room Restaurant here in Lancaster, PA, in the early-to-mid '90s, and we became very good friends during that time. Our shared love of staying up until all hours of the night discussing life and philosophy over a bottle of wine (or several) was the launching point for a friendship that saw much laughter, a few tears, a lot of advice given and taken, and the security of knowing that, even if we occasionally ticked each other off or had to sometimes call each other on poor choices, we each had a friend out there who would always be supportive and non-judgmental.

Eventually, Aimee's life took her to Rochester, NY, and though I did go to visit her once shortly after she moved, the years have a way of piling up without you realizing it. And now, fifteen years later, we were going to be getting together again.

We wound up meeting for drinks at Iron Hill Brewery. I was a bit worried going in - we've all been in those situations where you get together with someone you've not seen in quite awhile, only to discover you no longer have much at all in common. You suffer through seemingly endless awkward silences, furiously wracking your brain for a believable excuse to get away, and after parting with a half-hearted "We'll have to do this again sometime," you head home wondering how you ever were friends in the first place. What if that was the situation we'd be faced with?

From the first moment of our reunion those worries vanished in the warm hug of old friends who were so happy to see each other again. After some initial standard questions (married? kids? what kind of work are you doing?), we fell into our old familiar rhythm of conversation. The Aimee sitting across from me Saturday was still the Aimee I knew and loved all those years ago, and it was so good to hear her laugh again, to listen to her dreams for her future, and to reminisce a little bit about the good friends we worked with so many years ago.

Over the course of almost three and a half hours, it was as if the years and distance were never there. We both remarked during the conversation how it felt as if we had just seen each other the day before. As I noted on my Facebook page, I believe that's how you know your truest friends: when you can get together after even years apart and pick right up like no time has passed. It was a wonderful, happy feeling.

That evening, I had plans to head out to The Chameleon for a CD release show for the band Slimfit, who were co-headlining with my favorite local band, Perkasie. I invited Aimee, but she was hitting the road early the next morning and so she had to pass. As it turned out, she missed out on the most amazing part of the entire day.

Amazing Coincidences
The group of us that met up at The Chameleon was made up of several of Lancaster's local Twitter users. The Twitterati, as we have been blanket-labeled, are a great group of folks, many of whom I have become very good friends with in real life as well as online. We share the ups and downs of our individual experiences, and my get-together with a friend I hadn't seen in so long was a topic of conversation early on. Everyone agreed that friends who can reunite and pick up where they left off in that way are the very best friends to have, and they are rare and valuable indeed.

Among the "where are they now?" reminiscences that Aimee and I pondered that afternoon were a couple that we worked with and were each also very good friends with, Ski and Sara. They were two of the kindest, warmest souls you would ever care to meet. They embraced the hippie lifestyle, but in a very real way, not as part of the "hippie fad" of the nineties. Ski's long red hair, mustache and beard and tie-dyed wardrobe, and Sara's free-spirited bohemian ways always made it seem like they had somehow been transported through time from the heart of 1967 Haight-Ashbury; it surprised no one that they eventually found one another and married. We knew they had also left Lancaster years ago, but weren't sure where they wound up. Aimee thought they might have gone to Colorado, while I somehow had it in my head that they were in New England.

As the night drew to a close and Perkasie were launching into the last song of their set, I happened to glance over and catch the sight of two hippie-ish looking folks dancing joyously to the music. They, looked familiar, but I couldn't quite place them at first. When I realized I was looking at Ski and Sara, I was literally dumbstruck. I made my way over to them, but found myself unable to say anything. Sara saw me first, and her infectious smile snapped me back to my senses. Ski saw me too, and just began laughing, and I was quickly swallowed into a tremedous embrace by the both of them. "Sara thought that was you!" Ski told me, "We weren't sure though, we couldn't get a good look at you!"

How amazing: Ski and Sara weren't in Colorado or New England - they were in Lancaster, PA, at The Chameleon, on the very day that Aimee and I had reunited and wondered aloud what had ever happened to them. When I shared that I had seen Aimee just that afternoon, Sara's mouth dropped: "We were just talking about her!" Sadly, we weren't able to spend much time together, but we did exchange contact info and have made plans to catch up with each other the next time they are in town, whenever that may be. And, much as I had with Aimee, I found myself falling right back into the old familiar rhythms of conversation with Ski and Sara, as if they had been there the day before. Ski's hair has changed from red to grey and Sara's wearing hers much shorter now, but they were still the Ski and Sara I knew and loved.

15 Years Melted Away
And that is how, in the span of roughly 12 hours, three of my dearest friends from my past, none of whom I had seen in nearly fifteen years, came back into my world, and how the Universe reminded me that the connections we make throughout our lives - the important ones anyway - always remain. It made this one of the best Christmases ever.

New Wave for the New Week #47

Image via Wikipedia

I often mention to friends that one day I would love to put together a compilation CD of artists who really seem to be enjoying themselves and flat out having fun making the music they make. Jonathan Richman would make the cut, based on one college friend of mine declaring him "the happiest man in rock and roll." Because you can pretty much bet that whatever you are doing at any given moment, somewhere in the world David Lee Roth is having more fun than you are, he'd be in the mix as well.

Featured in such a mix would be Joe "King" Carrasco. He always looked and sounded like he was having a blast!

Bursting out of Dumas, TX, first with his band El Molino and later - and more widely recognized - as frontman for Joe "King" Carrasco & The Crowns, Carrasco's songs center mainly on having a good time and dancing your cares away. Clad in crazy neon outfits and often sporting an Imperial Margarine-styled crown, Joe and his band staked out a unique corner of the New Wave universe in the early '80s with their Tex-Mex sound.

Good-time, not-a-care-in-the-world lyrics that would occasionally transition unexpectedly between English and Spanish, irresistibly catchy dance beats, and reedy Farfisa organ riffs were Carrasco's calling cards; he and his band were a modern version of Sam the Sham & The Pharoahs (whose "Wooly Bully" Carrasco eventually, inevitably, covered). They were spotted early on by Elvis Costello, whose support helped them become one of the first American bands to sign with the legendary Stiff Records label.

Carrasco was also one of the early artists to adapt to the then-new music video format. As a result, Carrasco saw his greatest exposure during the first year or so of MTV, with clips for "Person-Person", "Buena," "Current Events (Are Making Me Tense)" and "Party Weekend" seeing regular airplay.

It's awfully hard not to smile when listening to Joe "King" Carrasco & The Crowns. Their happy-go-lucky music is downright infectious, so it was difficult for me to choose just one clip. Plus, it's the Christmas season, so I'm in a giving mood. This week, you get three - count 'em, three! - clips: the goofily giddy "Person-Person," the wildly exuberant "Party Weekend", and, in the spirit of the holidays, Joe "King" Carrasco & The Crowns' live in-studio MTV Christmas song from 1981, "It's A Party Christmas." Well, what else would you expect a Joe Carrasco Christmas song to be called? Enjoy!

New Wave for the New Week #46

One of those bits of music trivia that virtually everyone knows is the answer to the question, "What was the first song ever played on MTV?" Altogether now: "Video Killed The Radio Star" by The Buggles. But, do you know the answer to this one: "Who recorded 'Video Killed The Radio Star' first?"

Wait, what? Who recorded it first? You mean it wasn't The Buggles' song to begin with? It's a COVER?!?

Well, yes and no. The song was co-written by Trevor Horn and Geoff Downes, the duo who would go on to record as The Buggles, and a third person. That third songwriter was named Bruce Woolley.

Woolley actually wrote most of the music, while Horn and Downes collaborated on the lyrics (although it was Woolley who added the memorable but now-dated line, "Put the blame on VTR.") And it was Woolley and his band, The Camera Club, who released the original version of the song in early 1979. Moving about a half-step more quickly and sounding slightly less polished than the more-familiar Buggles version (which they released later that year), and ironically having no video clip to promote it, the Bruce Woolley & The Camera Club version is preferable to my ears:



The Camera Club's lone, self-titled album is a wonderful artifact from the early New Wave era. (In the UK, the album was called English Garden and featured different artwork.) A second single, the fantastic "English Garden," followed on the heels of "Video Killed The Radio Star," and it seemed like Bruce Woolley & the Camera Club were well on their way to New Wave stardom. And then...nothing.

Apparently, battles between the band and their record label (the usual creative direction vs. commercial viability struggles) caused an irreconcilable rift before a second album could be completed, and The Camera Club was no more. Woolley formed a new band, Firmament & The Elements, who released one minor EP before disbanding, and then took a behind-the-scenes role writing and producing for other artists. New Wave stardom did come, briefly, to one member of The Camera Club, however: the keyboard player would go on to have an unlikely yet massive worldwide hit in 1982 as a solo artist, "She Blinded Me With Science." His name was Thomas Dolby.

Our NW4NW entry this week is an appearance by Bruce Woolley & The Camera Club on The Old Grey Whistle Test, performing "English Garden" and "Clean Clean," another song co-written with, and later recorded by, The Buggles. Watch for a young Thomas Dolby behind the synths:

One Year in the Blogosphere!

Despite the gray skies and freezing rain pummeling the windows, it's a festive day here in the posh yet understated home office of That's What I Was Going To Say. One year ago today, I set up shop here in my little corner of the Internet. On December 13, 2008, my inaugural post, The Maddening Crowds - 10 Rules for Crowded Aisle Etiquette, was greeted with appreciation and supportive comments from the few who read it. The rest of the blogosphere barely flinched at my arrival.

As they say, from tiny acorns grow mighty oaks. That's What I Was Going To Say may not yet be a mighty oak, but I am proud to say the blog has come quite a way in the past 365 days. Almost 4000 unique visitors have dropped by since that first post, and many of you have become regular readers. I thank you! I hope I can continue to keep you entertained and informed here, and that you will continue to suggest the blog to your friends. Word-of-mouth is, after all, the greatest advertising!

I use a couple different services to keep up with my blog's stats: Feedjit is outstanding for real-time traffic info, and Google Analytics and BlogTracker/IceRocket combined give me an easily understandable picture of how the blog is performing overall, as well as what content garners the most attention. These tools, as well as the feedback I receive from you who read the blog regularly, help me continue to refine and improve what I'm doing. They also allow me to look back over the first year of That's What I Was Going To Say. And so, here is the past year around these parts, by the numbers:

► Blog Ranking
According to BlogTracker, That's What I Was Going To Say currently ranks #3123 out of 23,420 registered blogs. That puts us in the top 15% - not too shabby!

► The Top 10 Most-Read Posts
1. RIP Sam Lugar (450 hits)
2. Boston Radio Great Steve LeVeille Taken Off the Air (424 hits)
3. My Own "Special Comment" (170 hits)
4. The Revolution Will Be Downloaded (140 hits)
5. Favorite Five Comedy Routines (136 hits)
6. Lancaster Then and Now: Water & Orange (131 hits)
7. Favorite Five Places to Find Great New Music for FREE! (93 hits)
8. Perkasie! (79 hits)
9. That'll Do, Keyboard Cat. That'll Do. (66 hits)
10. RIP Jim Carroll (8/1/50 - 9/11/09)/New Wave for the New Week #27 (65 hits)

► The Top Five "New Wave for the New Week" Entries
1. Jim Carroll (65 hits)
2. Virgin Prunes (52 hits)
3. Abba/Air Supply (28 hits - no, I'm not kidding!)
4. Klark Kent (26 hits)
5. The Quick (25 hits)

You know, out of the 148 posts I've written in the past year, those 14 listed above (the Jim Carroll post made both lists) make a pretty good retrospective of what this blog is all about: mostly the music I love, but a smattering of commentary about other things as well. I'm pleased that two posts about local Lancaster, PA bands, The French Revolution and Perkasie, were among the most popular pieces I've written. I strongly believe in supporting your local music scene wherever you happen to be!

But enough about me...what about you?

► Where in the World ARE My Readers?
1. USA (85.52%)
2. UK (2.33%)
3. Canada (2.29%)
4. Belgium (1.26%)
5. France (1.19%)

► How Did You Find Me?
1. Direct link (27.65%)
2. Google search (21.95%)
3. Facebook (12.46%)
4. StumbleUpon (7.94%)
5. Twitter (4.49%)

The overwhelming majority of you are using Firefox as your browser (47.70%). 75.47% are Windows users (sorry, Macheads - only 16.59% of you are here), and over half (52.73%) are using cable Internet connections. Surprisingly, there is still a small segment out there (1.05%) who get here using dial-up! How long does it take you to make the trip?!?

Finally, the most telling (and most unsettling!) stats about my readership:

► The Oddest Search Terms That Brought You Here (in no particular order)
- "that's not what I was going to say" (Someone searching for my evil alter-identity blog, perhaps?)
- "was going to" (Perhaps the most vague search ever attempted)
- "imaginary friend social networking" (Who is searching for a way to meet imaginary friends online?)
- "zappityzap" (Um, what?)
- "Cole Hamels naked" (OK, that's really going a bit too far, don't you think?)

And my favorite:
- "piss" (Yep. Someone searched online for "piss". And, somehow, that brought them here.)

Well, you may be a strange group, but I am thankful for your readership, and hope that the coming year will be a great one for us all. If you've enjoyed the blog, would you consider leaving a few words in the comments section below? I don't hear from you as much as I'd like, you know! But for now, let the 1st Anniversary celebrations commence!

A Crowd of People Stood and Stared

Image via Wikipedia

29 years ago today, Mark David Chapman shot John Lennon. To this day I can clearly remember waking up for school the next morning, and my mom telling me, "They killed John Lennon."

Although I knew at the time that Lennon's death deeply affected people around the world, I don't know that anyone appreciated how profoundly his music touched those who heard it - even those who perhaps didn't care for him or his message of peace. (I will never forget, some years later, watching with jaw agape as Pat Robertson went on TV to explain why Lennon's "Imagine" was such an "evil" song. He went through all of the lyrics, sharing his twisted interpretation of them, and when he got to the line "Imagine all the people sharing all the world," Robertson cried, "Well, that's Communism!")

Here is a fascinating time capsule I found online - the news of Lennon's death being reported the next day by Walter Cronkite. The voice of trust reporting the loss of the voice of peace:

CBS Evening News December 9,1980
Uploaded by DwightFrye. - Classic TV and last night's shows, online.

For Nan, Ten Years Later

Where does the time go?

Today is tenth anniversary of my grandmother's passing. It's hard to believe ten years have come and gone since that day; it seems like only yesterday that we were together.

Roseine Troop was quite a lady. She was an independent working woman and a single mom in a time when neither identity was readily accepted by society. Nan, as my brother and I called her, worked at the Hamilton Watch Factory here in Lancaster (now the site of Clock Towers Apartments) for nearly 40 years until her retirement in 1981.

Born in 1916, she was a child of The Great Depression and so always respected the value of a dollar. While she always wanted the best for her family, she seldom if ever allowed herself extravagances. She watched a tiny black and white TV with no cable for as long as I can remember, and refused any suggestion of buying a color TV or having cable put in until around the time I went to college. Even then, her only concession was the color set. "I don't need cable, I don't really watch that much TV," she'd say, even though the television was on from the time she awoke until the time she went to bed. "I just have it on for company." The car she drove, a 1969 Chevy Nova, had no radio and no air conditioning - a car doesn't need those things to get you from point A to point B. She saw the world in a very utilitarian way.

For every one of her 83 years, she lived her life on her own terms, sometimes frustrating the rest of us. She insisted that she had never had a headache in her life, and that all she needed in her medicine cabinet was aspirin for when she was achy and peppermint for when her stomach was upset. When the doctors told her that she had had a heart attack, she simply chose not to believe them. "How do they know?" she'd ask. "I feel fine!" And if she ever had to wait in a line more than two people long, everyone would hear about it! "Oh, come on!" she'd sigh loudly, tapping her foot impatiently. When she passed, my mom, brother and I chuckled to think that there better not have been a line at Heaven's Gates, or St. Peter would have gotten an earful!

She loved to laugh and sing and play cards and do crossword puzzles (in ink!). She was extremely generous with those she loved, both family and friends; she was, however, a very private person. It was not often that she'd let someone new into her world, but once you were in, you were both genuinely loved and fiercely protected by her. And oh, could she cook! She made the most delicious potato soup, chicken pot pie, and oyster filling (not "stuffing," mind you - filling!), the likes of which I'll never taste again. Even when cooking wasn't involved, she had that special "grandmother's touch": her sandwiches were legendary, piled high with cold cuts, lettuce, onion, tomato. How is it that neither I nor anyone else can replicate her sandwiches, even using the same ingredients?

Ten years on, it's still hard to fathom that she's not here, although in many, many ways she is. She often shows up in dreams I have, singing one of her songs or playing a game of gin rummy with me. That she passed at this time of year adds a certain feeling to how a view the holidays, but it's not a sad feeling; I still laugh out loud thinking of some of her quirks, and I celebrate the life she led.

Merry Christmas, Nan. I miss you.